By the way, what do I mean. My second favorite thing about Stega (after the delay) is that it has an audio input. It can be used not only as a musical instrument, but also as an effect. The delay sounds as sweet on the guitar or vocals as it is on the synthesizer. But it can also be an incredible overload. I really like the saturated sound obtained by activating the “Intensity” and “External Constant” controls, which shouldn’t be too shocking.Partial simulation of preamplifier circuit , Which is also the source of inspiration for Erica Synths , I vomit a lot about this.
In this demonstration, Strega was used to process the guitar, my voice and the dulcimer, with no additional effects:
The preamp can add a touch of warmth and crunch to anything you pass through it, but it is best for signals that are very hot at the beginning. The Atomic Humbuckers on my Fender Toronado are enough to push it to the maximum in distortion mode.Even without an amplifier and directly into the audio interface, it is also very suitable for rough edge improvisation Guided by voice with who.
When looking at Strega, another thing you might notice immediately is the series of golden squares and circles on the front. These are actually touchpads. Although you can and should still use jumpers to design sounds, these pads provide you with a unique tactile way to manipulate your work. The circular pad is the source and the square is the destination. Usually, destinations are easy to figure out because there are lines pointing to what they manipulate, but circles are more difficult to decipher. They have strange icons on them, which look like they were torn directly from a book on occultism.
But basically, they all introduce a certain degree of randomness or interference. All you do is place one finger (or some other conductive material) on the circle, then place another finger on the square, and then suddenly change the filter cutoff or delay time. And, because it uses your body as a bridge between these two points, the amount and quality of this interference varies from person to person.
The touch bridge and gateway are the symbols of the entire Strega concept. They beg you to poke, poke and explore literally. They left out technical things and went directly to a controlled chaos.
Obviously, Strega was designed for drones. It is good at them. You can easily make relaxing and beautiful or nightmarish claustrophobic movie soundscapes. If your task is to rate movies or games, you will almost certainly want what Strega has. When you turn the Tones knob clockwise, the soft hum of the triangle wave becomes thicker and more threatening. Activating the interference control (activating the unmarked knob directly above) introduces crackles, leaks, and other unpredictable tactile sensations to the tone.
However, although Strega feels like a drone, its functions are much more than that. First of all, the sound from drone to mono pad is not a big leap. If you connect the gates of the sequencer or keyboard to the Begin and End on the Agitation circuit and run it to Activation, then you have an amplifier envelope that will allow you to get the long rise you need for any good pad Tone and release time. You can even get some simple synthetic string and organ sounds, and set the tone in the right place. It is now obvious that the pads, strings, and organ all need polyphony, but you can fake it with delayed decay.
All the sounds in this short demo track are from Strega. Some equalizers and compression have been added after Ableton Live:
Things don’t stop there. You can even get simple bass and drum sounds.Now just because of you were able Playing the bass line on Strega doesn’t mean you should; the bass range is very limited. But I really like the percussion loop that I can coax out of.They have a weird atmosphere that reminds me of the percussive sound Generated using a large number of test equipment he collected.
But I think when you combine its internal sound with the sound of an external instrument, the true power of Strega will be released. For example, you can use a guitar to control the playback of Strega, mix the two sounds together, play a simple and dreamy melody on the drone, and react dynamically to your performance.
In this demonstration, the guitar input is used to drive the Strega synthesizer engine, which is then finally mixed into the final drone for performance:
If you have an instrument with CV output, things will become more interesting, for example . This special combination is one of my favorites. Microfreak’s somewhat cold digital sound is heated up nicely by Strega’s preamplifier and lo-fi delay. When playing synchronously with Microfreak, Strega’s slender single oscillator benefits from enhancements. Turn the Blend knob to completely wet, and the two instruments will merge with each other and become something completely new.
Here Microfreak is played through Strega, while controlling it through CV:
The biggest disadvantage of Strega is definitely its price. $599 is not too expensive, but considering its limited features, it may be a bit high. No MIDI, no keyboard, no sequencer. The Strega out of the box will make beautiful sounds and gorgeous drones, but if you don’t have some extra equipment, you won’t be able to play any melody that is too beautiful.An obvious pairing is Make Noise’s desktop sequencer, $399 . Both have the same appearance, aesthetics and experimental methods in music production.But anything with a resume is fine, such as . If you are looking for something that adds MIDI and expands the sound possibilities of Strega, then $499 Will make sense.
Although the Make Noise device is not cheap, sticking to its desktop ecosystem is definitely attractive. You can power two devices with one power adapter, and 0-Coast, 0-CTRL and Strega are all designed to complement each other. In addition, they look great together.